We want to express our gratitude to everyone who has submitted videos to Millbrook Playhouse. Due to the high volume of submissions, we unfortunately cannot contact everyone who has submitted. But we thank you for taking the time to do so.
We have already started the casting process, and we are making offers. However, please note that the process can evolve, and we may need last-minute replacements so if you are interested in submitting, please feel free to do so. To Millbrookcasting@gmail.com. But please understand you only be contacted if we need anything further.
Thank you again, and we wish you all the best in your future theatrical endeavors.
Sincerely,
The Millbrook Playhouse Team
MILLBROOK PLAYHOUSE 2024 SUMMER SEASON VIRTUAL AUDITION
NON-UNION SUMMER STOCK CONTRACT – NO EQUITY CONTRACTS AVAILABLE
Millbrook Playhouse, Mill Hall, PA
Producing Artistic Director David Leidholdt
Millbrook Playhouse is seeking actors, singers, and movers for the 2024 season. To remain accessible for all, Millbrook will continue to hold virtual submission and virtual callback processes for the summer season.
The Millbrook Playhouse encourages everyone with every experience to submit to our summer season. Note that the age ranges and genders listed reflect those of the character, not the actor we will cast. Please submit for all characters for which you feel you would be appropriate. A Link to our diversity, equity, and inclusion pledge can be found in the “About Us” tab.
61st SUMMER SEASON:
- MAINSTAGE SEASON: “Godspell,” “8-Track Sounds of the 70s, in concert” Millbrook Youth Ensemble: “Mean Girls Jr.”
- CABARET SEASON: “Tuesdays with Morrie,” “Don’t Dress for Dinner,” and “Stones in his Pockets.”
DEADLINE TO SUBMIT: April 1st, 2024
- Please review the breakdown (listed below) and contract basics, FAQ before submitting.
- Please note that this is a non-union summer stock contract that allows little room for negotiation. If you have any questions before, please do contact millbrookcasting@gmail.com. We will respond to your queries as quickly as possible.
- Please note that all employees must be fully vaccinated against the COVID-19 virus before arrival in P.A. All employees must be tested for the COVID-19 virus and have a negative test result 72 hours before arriving. Proof of a negative test shall be required on the day of arrival. Subject to change pending CDC protocols.
- We are an Equal Opportunity Employer and strive to create a diverse and inclusive workplace. We welcome applications from all qualified candidates, regardless of race, ethnicity, gender, sexual orientation, religion, disability, or veteran status.
Millbrook Playhouse is a 60-year-old traditional summer stock theater in Mill Hall, Clinton County, Pennsylvania. For our 2024 season, we will be presenting we are two musicals and one Youth Ensemble show on our RYAN MAINSTAGE, a 235-seat thrust theater, and three shows in the POORMAN CABARET, a 100-seat space with a small thrust stage.
The Millbrook Playhouse encourages everyone with every experience to submit to our summer season. Note that the age ranges and genders listed reflect those of the character, not the actor we will cast. Please submit for all characters for which you feel you would be appropriate. Our diversity, equity, and inclusion pledge can be found at the bottom of this notice.
HOW TO SUBMIT
When you are ready to submit, send emails to millbrookcasting@gmail.com. Please attach your Headshot (2MB max file size) and Resume – please submit a PDF (1MB max file size) and links to video submissions.
Submissions will be reviewed as quickly as possible, and you will only be contacted to submit callback material. All casting decisions will be finalized by mid-April.
Please review the different available shows and tracks listed below.
Back-to-Back Track:
- Back-to-Back track: Actors cast in this track will perform in both “Don’t Dress for Dinner” and “Godspell.” The dates of this contract will be Sunday, June 9 through Sunday, July 21.
- For the Back-to-Back track, please submit two contrasting 16-32 bar cuts, one in the style of 1960/70s musical theatre and one in 1970s popular music, and a one-minute comic monologue.
- Please send a dance/movement reel.
Cabaret Track: (separate contracts)
- “Tuesday with Morrie” dates Sunday, May 26, through Sunday, June 16.
- “Stones in his Pockets” dates Sunday, July 21, through Sunday, August 9.
- For Cabaret Tracks, please send a short monologue in the style of or from the shows.
Musical Track:
- “8-Track, Sounds of the 70s, in concert.” dates Sunday, July 28, through August 18.
- For the Musical Track, please submit two contrasting 16-32 bar cuts, one in the style of 1960/70s musical theatre and one in 1970s popular music, and a one-minute comic monologue.
Other info:
Please send any supplementary material you would like our casting team to review.
Callbacks will be held virtually for this season.
Please send ONLY links to all videos. Direct files and downloads are not accepted and will not be viewed.
If any issues, please contact millbrookcasting@gmail.com. We will respond to your queries as quickly as possible.
Please note that accepting an offer for this season confirms you are familiar with the script and themes and agree to perform it as written. We value a respectful and positive environment, so please submit only if you resonate with the script and are confident in fulfilling performance expectations.
ABOUT THE CONTRACT:
Out-of-Town Actors:
- Compensation: Weekly salary of $300 – $360, negotiable based on experience. Contracts range from 3 to 6 weeks.
- Accommodation: Shared housing with other staff, including roommates. Houses are located within a 5-10 minute drive (exceptions possible).
- Travel: Round-trip bus fare from the tri-state area (Philly, NY, DC) or equivalent travel reimbursement provided.
- Meal: A meal is provided on two show days.
- Other Duties: Required to assist with set strike at the end of the run.
Local Actors (19+ within 35 miles):
- Compensation: Pay based on role size and experience. Contact for details.
- No Housing Provided: Exceptions may be considered on a case-by-case basis.
- Commitment: Commit to one show at a time.
- Rehearsals and Performances: Available for rehearsals during the day and evening performances.
- Minor Roles: Flexible scheduling options may be available for minor roles.
“What is summer stock?”
Summer stock theatre is any theatre that presents stage productions only in the summer. The name combines the season with the tradition of staging shows by a resident company, reusing stock scenery and costumes. Often viewed as a starting point for professional actors.
“Where is Millbrook located?”
In Mill Hall, PA, conveniently located off Route 80 in Central PA, It is 3.5 hours from New York, Philadelphia, and Baltimore; 2 hours to Pittsburgh and 4 hours to Washington, D.C. We are 45 minutes to State College (home of Penn State) and 25 minutes from Williamsport (the closest Starbucks).
“Is Millbrook really housed in a barn?”
Yes, it’s a barn! Constructed over 125 years ago as a dairy farm. Converted into a single-stage theatre in 1963, and in the 80s, a cabaret theatre opened in the once-old milking station. The two theatres are the Ryan Main Stage, a 235-seat three-quarter thrust, and the Poorman Cabaret, a 100-seat black box. We also have a small stage in the Courtyard, aka lobby, and bar area.
“How many shows do you produce a season?”
Summer of 2024: if you are familiar with our past seasons, summer 2024 will be slightly scaled back due to housing limitations see show schedule for this year.
Past season We produced three to four shows on the main stage and four shows in the cabaret (plays and musicals.) We also produce one to two Saturday morning kids’ shows and a late Saturday night courtyard cabaret. In addition, we run a summer theatre camp for kids, teens, and adults.
“How long is a typical summer contract?
For 2024: Actors contracts will run 3 to 6 weeks. Some senior staff contracts run 10-14 weeks. Summer tech staff will primarily be in the early summer to build in advance of the season. Some designs will be jobbed in from one to two weeks during a specific show.
Staff and intern contracts run 10 to 12 weeks, starting in late May until mid-August. Actor’s contracts can be one show (3 weeks) or back-to-back shows (6 weeks). Some productions demand that actors sign back-to-back contracts. Some actors sign longer contracts depending on the show and the actor’s availability. Sometimes, we job-in set and costume designers for a shorter contract.
“What is a typical day like at the Barn? “
Well, there is nothing “typical” about a day in summer stock. In general, the company starts the day at 9:00 am. Each department will take lunch at their own scheduled time, usually btw 1:00 pm-2:00 pm. All work stops btw 4:30 and 5:00 pm for dinner break. After the dinner, there is a break. Depending on what department you work in, we will go back to work or prep for evening performances or evening work calls. Then, the whole thing starts again the next day.
“How do tech days off work?”
Staff day off will be either Sunday or Monday, depending on the performance and change-over schedule. Stage Managers and Box Office will alter days between Monday and Tuesday. Each department reserves the right to alter the schedule depending on the show’s progress.
“What is the rehearsal schedule days off like for the actors?”
Each show rehearses between 10-12 days, usually starting on a Sunday. We put together the show the first week, and tech will start the following Monday. The actors have a 24-hour rest period of tech week. Dress rehearsals are on Wednesday, previews are on Thursday, opening on a Friday, and closing the following Sunday (9 performances for a typical run; some shows run three weeks). If we contact you in back-to-back shows, the whole process starts again on the Sunday of opening weekend. This varies from show to show and year to year. The production following a 3-week run will have a little more time to rehearse. This schedule is always subject to change.
“Where do I stay when I am working at Millbrook? “
We house people in local rented homes. Every year is a bit different, pending availability. All accommodation is shared with others on staff, and people must share a bedroom. The accommodations are often located in Lock Haven, PA, or the surrounding area. Usually, it is a 5-10 minute drive from the theatre. There are exceptions pending housing availability.
Mill Hall is a small town, but there are plenty of places to shop and eat. We are conveniently located across from a Walmart and Sheetz. Lock Haven University is ten minutes away and a “bigger” small town. The downtown has some nice restaurants and stores. The area generally has a lower cost of living.
“Can I bring my car? “
Yes, it is highly recommended to bring your own vehicle. Millbrook has limited company vehicles, but if you don’t have a vehicle of your own, we may be able to accommodate getting you back and forth from the housing.
“How do I get to and from Mill Hall at the beginning and end of my contract?”
Round-trip travel bus fare NYC/Philly or the equivalent amount in travel reimbursement.
“How do I get cast in a show?”
To remain accessible for all, Millbrook will continue to hold virtual submission and virtual callback processes for the summer season.
The Millbrook Playhouse encourages everyone with every experience to submit to our summer season. Note that the age ranges and genders listed reflect those of the character, not the actor we will cast. Please submit for all characters for which you feel you would be appropriate. A Link to our diversity, equity, and inclusion pledge can be found in the “About Us” tab.
“Can I get EMC points if I work at Millbrook?”
We are a non-union company; therefore, we cannot give Equity points.
“How do I get hired in a staff position?”
You can submit a resume and cover letter. For designers, you must submit work samples. Don’t worry if you do not have a full portfolio; Millbrook is a great place to get a start as a designer, so something that shows potential is just fine. Please see our employment page for details.
“How do I apply for a tech internship?”
By submitting a resume and references. We hire interns to specialize in one department, i.e. props, costumes, lighting, company management, etc. Often, tech interns will float from department to department; some even end up on stage from time to time!
“Does everyone have to help with the strike?”
Yes, everyone, no exceptions! We will not assign you to anything you are uncomfortable with, but it’s a great way to learn a new skill. And there is always sweeping to do.
Word to the wise! Summer stock is an amazing opportunity to build your resume, learn on the job, and grow as an artist. You will work with people from all over the country and at various places in their careers. If you are willing to work hard and as a team, Millbrook can be the place for you. When accepting a contract at Millbrook, know you are joining a 60-year-old tradition of doing quality summer theatre in a unique place. The days can be long, but the rewards and the relationships will last longer!
Casting Breakdown
Tuesdays with Morrie By Jeffrey Hatcher and Mitch Albom. Based on the book by Mitch Albom
June 7, 2024 – June 16, 2024. In the Poorman Cabaret
Directed by Seth Sponhouse
ABOUT THE SHOW:
The autobiographical story of Mitch Albom, an accomplished journalist driven solely by his career, and Morrie Schwartz, his former college professor. Sixteen years after graduation, Mitch happens to catch Morrie’s appearance on a television news program and learns that his old professor is battling Lou Gehrig’s Disease. Mitch is reunited with Morrie, and what starts as a simple visit turns into a weekly pilgrimage and a last class in the meaning of life.
CASTING BREAKDOWN:
Morrie Schwartz is an old man who is diagnosed with A.L.S. Shortly after being diagnosed with A.L.S., Morrie begins to hold meetings with Mitch Albom, his former student at Brandies University, to talk about life, death, love, family, etc., on every Tuesday until he dies off. Morrie is the father of two children, Rob and Jon, and wife to a woman named Charlotte. He lives in New Town, Michigan, and has many caretakers in his home to take care of him. He dies on November fourth.
Mitch Albom is the second main character of Tuesdays with Morrie, as well as the author. Mitch, directly after getting out of college, wanted to be a musician, then became a very busy writer for newspapers and other forms of media. Until meeting once again with Morrie, his former professor at Brandies, Mitch is very money oriented. As the book progresses, he changes immensely from Morrie’s teachings and looks at life differently with another set of values in mind. Mitch has no children but a wife named Janine.
Don’t Dress for Dinner By Marc Camoletti. Adapted by Robin Hawdon
June 21, 2024 – July 6, 2024. In the Poorman Cabaret
Directed by TBA
ABOUT THE SHOW:
Bernard is planning a romantic weekend with his chic Parisian mistress in his charming converted French farmhouse whilst his wife, Jacqueline, is away. He has arranged for a cordon bleu cook to prepare gourmet delights and has invited his best friend, Robert, along to provide the alibi. It’s foolproof; what could possibly go wrong? Well…. suppose Robert turns u, not realizing quite why he has been invited. Suppose Robert and Jacqueline are secret lovers and consequently determined that Jacqueline will NOT leave for the weekend. Suppose the cook has to pretend to be the mistress, and the mistress is unable to cook. Suppose everyone’s alibi gets confused with everyone else’s. An evening of hilarious confusion ensues as Bernard and Robert improvise at breakneck speed.
CASTING BREAKDOWN:
Male identifying Characters
BERNARD: Married man with “plans” for the weekend while his wife is out of town.
ROBERT: Bernard’s friend and confidant….and Jacqueline’s lover.
GEORGE: Suzette’s husband. Very jealous and prone to violence. A bit more “menacing” than the others.
Female identifying Characters
JACQUELINE: Bernard’s wife, who just may have some plans of her own.
SUZETTE: A cook whom Bernard has hired to cater his evening dinner party. Young, kind of mousey, but dresses up well.
SUZANNE: Bernard’s mistress. Young and beautiful, with no discernible talent.
Godspell. Book by John Michael Tebelak. Music and New Lyrics by Stephen Schwartz. Conceived and Originally Directed by John Michael Tebelak. Based on The Gospel According to St. Matthew
July 12, 2024 – July 21, 2024. On the Ryan Main Stage
Directed by Amanda Coffin
Choreographed by Timmy Gage
Music Direction by Mo Ortbal
ABOUT THE SHOW:
Godspell Music and Lyrics by Stephen Schwartz Book by John Michael Tebelak. A small group of people help Jesus Christ tell different parables by using various games, storytelling techniques, and hefty doses of comic timing.
For this production, we are seeking to build a tribe of diverse performers. All race and gender expressions encouraged to apply. Some roles require dance and movement, and some require only strong singing and acting.
The nature of Godspell is that the text allows an immense amount of room for interpretation and personalization. We will be adding our own spin on this production add the individual talents of the cast. If you play an instrument, do magic tricks or acrobatics, or have any other theatrically unique skills, we want to know about it.
CASTING BREAKDOWN:
Jesus: A charismatic, energetic individual. A natural leader. Needs strong acting, movement, and singing. A high voice, strong up to G5
John the Baptist/Judas: Perhaps the most serious of the group, but still has great skills with comedy and movement. Strong singer. Sings “Prepare Ye,” “All for the Best,” and “On the Willows.” Baritenor.
Performer 1: Sings “We Beseech Thee”. Strong singer with a strong falsetto/head voice up to a high D6.
Performer 2: Sings “All Good Gifts”. Needs to sing with control and brightness up to an A5. Tenor/soprano.
Performer 3: A performer with sharp comedic skills. They have solos in songs but do not need to be as strong as a singer.
Performer 4: Sings “Day by Day.” A strong voice, but not necessarily a high voice.
Performer 5: Sings “Oh Bless the Lord my Soul” Does not require a high belt, but does need to sing an A5 with power.
Performer 6: Sings “By My Side”. The shyest of the group starts to slowly warm up through the show.
Performer 7: Sings “Turn Back, O Man”. A low voice, all the way down to a low G3 (Or even D3). Seductive, silly, and slightly rebellious.
Performer 8: “Sings “Learn Your Lessons Well”. A lower, beltier voice, down to a G3.
Stones in His Pockets By Marie Jones
August 2, 2024 – August 11, 2024. In the Poorman Cabaret
Directed by Lawrence Lesher
ABOUT THE SHOW:
A scenic spot near a small town in County Kerry has been taken over by a Hollywood film crew, and the townspeople are excited and enthusiastic about being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.
Among them, Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent.
CASTING BREAKDOWN:
Coming soon.
8-Track: The Sounds of the ‘70s In Concert. Created by Rick Seeber. Musical Arrangements by Michael Gribbin.
August 9, 2024 – August 18, 2024. On the Ryan Main Stage
Directed by Michael Schloegl
Music Direction by Jeremy Gussin
ABOUT THE SHOW:
Put on your leisure suits, halter tops, and platform shoes, and get ready to boogie down through ten years of groundbreaking music! With its propulsive rhythms and dazzling harmonies, 8-Track is a fast-paced musical romp through one of the most impassioned decades of the 20th century. This Baby Boomers’ dream come true features the music of The Emotions, The Carpenters, Labelle, Barry Manilow, Marvin Gaye, The Doobie Brothers, The Bee Gees, Helen Reddy, KC and the Sunshine Band, and more! Rediscover the heart and soul of the forgotten decade with this joyously rousing, moving, and often downright hilarious musical in concert.
CASTING BREAKDOWN:
Soprano: The “Seeker” – Female Identifying – 20-30. Preferably African-American. Alluring. Spiritual searching for a path through. Pop second soprano.
Alto: The “Feminist” – Female Identifying – 20-30. Radiating a new-found pride, rock-chick power, with vulnerability. Pop-rock sound.
Tenor: The “Lovable Loser” – Male Identifying – 18-30 – Preferably African-American. A happy person. Shy. Perhaps a bit geeky. The lovable guy who never gives up. Liget pop singer with a broad range.
Baritone: The “Lover” – Male – 18-30. Confident, alpha-male rock singer with an intensity of purpose. Pop-rock baritone/second tenor.
Damian – Co-chair of the Student Activities Committee and Janis’s best friend. Damian is smart, witty, and confident and occasionally serves as the show’s narrator. Gender: Male Vocal range top: G5 Vocal range bottom: Bb3
Janis Sarkisian – Marches to the beat of her own drum and, with Damian, narrates throughout the show. After a falling-out with Regina in middle school, she became a bit of a social outcast and still holds a grudge against Regina. Damian is her best friend and lovingly refers to her as his “art freak.” Gender: Female. Vocal range top: D5. Vocal range bottom: A3
Regina George – The undisputed Queen Bee of North Shore High School, and she knows it. She’s confident, clever, and completely unbothered by anyone else’s opinion. While Regina purposefully manipulates everyone around her (including her own mom), at her heart, she’s trying to fit in, just like everyone else. Gender: Female. Vocal range top: Eb5. Vocal range bottom: Ab3
Karen Smith – The third member of the Plastics. While Karen’s lack of intelligence is a running joke throughout the show, she sees the other girls more clearly than most people and is the most laid-back of the three. Gender: Female. Vocal range top: D#5 Vocal range bottom: G2.
Mrs. Heron and Mr. Heron – Cady’s parents.
Shane Oman – A couple of spoken lines but much discussed in the show’s plot. Gender: Male
Martin – Kevin G’s second in command. Gender: Male
Ensemble – Party Guests, the Debate Team, Dance Team, Show Choir, Mathletes, and Students. Cast Taylor, Caitlyn, Rachel, Caroline Krafft, Tony, Marymount Captain, Teary Girl, Mathletes Moderater Sonja Acquino, Glenn Cocco, Dawn, Grace, Lizzie, Sophie, and Jason from the ensemble. All these roles have a line or two, but they don’t sing solos.